Hi from Germany

RWilke

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Hi everyone,

I'm relatively new here and have been asked to introduce myself properly, so here we go. I'll apologise in advance for making it so long.

I live in the very far western part of Germany, near Düsseldorf, not far away from Cologne, and very close to the Dutch border. In October, I will be 65. My retirement is scheduled for January 2026. Looking at it with mixed emotions at this stage.

My older cousins introduced me to music while I was in elementary school, making me familiar with the Beatles, Hollies, Beach Boys, and similar things. Later on, I moved in the post Woodstock direction altogether. My main influences were Hard Rock (Deep Purple), Blues Rock (Rory Gallaher), Southern Rock (ABB), and Jazz Rock (Al Di Meola). At the age of 11 or so, I started playing the drums, and later on guitar.

I've always been self-taught, occasionally picking up things from others I got in touch with. I'm pretty sure that the kids today don't even appreciate that they can always go to YouTube and learn things from watching videos. All that we had was the radio, the record player, and a book with chord tabs at best. Luckily, I had received a solid introduction to musical theory through our music classes at school, which helped me get my head around the fretboard. My enthusiasm for doing this was extreme during this period, until around when I left school. I definitely wasn't the best player around, there have always been better kids than me, but that didn't matter. All I wanted to do was play, and play I did. I joined a number of school bands, we did a number of gigs, and I also did the singing. We liked to improvise four hours. We had long hair, beards, and truly believed that we were phenomenal after we had some dope. In retrospect, this was the best time in my life.

After I left school, my life changed dramatically in some ways for reasons too many to mention here. As for my career, I've had all kinds of jobs throughout the time, ranging from very theoretical (working as an assistant at the University where I was studying languages and literature) to very practical (working on building sites given my family background where almost every man was a construction worker). I never seemed to be able to settle. I never seemed to be able to make up my mind eventually. I must have relocated like 10 times until I was 40. Playing the guitar slowly disappeared from the radar until it was totally gone when I was in my midtwenties. But I have always kept my old gear, taking it with me and keeping it in the cellar or somewhere for when I will pick it up again, I kept telling myself.

In around 2000, I started a new job, with all the usual scepticism at first, but then it became permanent up until today. I work in an engineering office, specialised on dealing with damages to buildings. My job is doing loss adjusting on behalf of some major insurance companies here in Germany. I have to travel a lot, get in touch with thousands of people a year, with whom I will have to come to terms in the end. All in all it has been a great education in collecting facts, being able to reproduce and present them in a reasonable way, and last but not least dealing with things using common sense and diplomacy.

At about the same time, I found myself a new partner, with all the usual scepticism at first… Long story short, we are still together and happy after all (saying this just because she may be listening). So all in all, I have settled by now.

In July 2021, our cellar was flooded due to extremely heavy rain. I ran down and rescued my amp and my two guitars, one electric and one acoustic. It must have been the first time that I actually touched them in like 15 years or so. I decided to start practising again, but facing all the frustration over all the things that I had lost, and doing this really only in a very half-hearted way, I gave up again very soon.

Now recently, in March or so, I finally decided to go back again and stay with it this time. Maybe thinking that I should really do so before I am 65. You know, a man always needs a reason for doing things, doesn't he. In addition, and maybe as a means to strengthen my motivation, I decided to get myself the Les Paul which I had always dreamt of. Not willing to spend an insane amount of money on it, I decided on an Epiphone. Practising is still very frustrating, and I should definitely increase my practice time, but this is not as easy when you have a full-time day job. However, I seem to make some progress over time, and this keeps me being optimistic.

In preparation, I have probably watched a zillion YouTube videos on guitars and things. I'm a big fan of Rick Beato, and also got his tutorial material, which alone would give me a year's worth of stuff to practice and get my head around. The biggest frustration with it for me this far being the "Ear Training", when I had always considered myself to be reasonably good in discerning things acoustically.

I have also resumed listening to the music of my teenage days, which initially got me started, on YouTube again of course, trying to jam along. If I could make a dream come true, I could play like Dickey Betts or Warren Haynes overnight.

Now, if you have made it this far, you may also be interested in my current gig. I'll attach a photo showing it all. From left to right, we have:

– A 1978 (I believe) Aria Pro II, Stratocaster copy, with two humbuckers, which can be switched to single coil. I got this one in around 1980, and it still plays reasonably well and sounds as it used to. Even though it was hit by the flood.

– In the background, a 1967 (I believe) Vox Virtuoso solid state amp, which I got in around 1974 if I recall correctly, with some really kind support from my mother. My hero back in the day. It is one of the flood victims and I haven't dared to plug it in yet. Planning to take it to a tech, but putting this on the shelf again and again. Anyhow, it would also be just too loud to play today in my apartment.

– In front, a rather new Marshall MG15R, which I decided to make my practice amp in the kitchen where I play. Given the low cost, it's actually terrific, and the headphones output is really excellent, listening through my AKG K240. The neighbours, and my partner, consider the headphones to be the best part of my rig anyhow.

– On top of the Vox amp, a Marshall MS-2. It's portable, runs from a battery and also comes with a headphone jack. It doesn't sound too bad, given its size and specifications. Although it comes across as a gimmick, it would truly be able to annoy the neighbours very badly also.

– And now, last but not least, my beloved November 2023 Epiphone Les Paul Classic IBG in Heritage Cherry Burst. It has the very thin slim taper neck that I want (0.8 inch at the first fret), very long sustain and is flawless from a manufacturing point of view, at least to me. Over time, I have managed to set it up the way that I want it, and as already mentioned, I also gave her a Plek service, which may or may not have improved it, or maybe just by a hair. Best of all, I can hardly take my eyes off her.

Thanks for your interest.

Edit:

I forgot to mention that I also have an old (1975 I believe) Eko 12 string acoustic guitar which I got in combination with the Aria. But it is just too shy to appear in front of a camera and prefers sitting in the cupboard.


MyRig.JPG
 
Last edited:
Hi everyone,

I'm relatively new here and have been asked to introduce myself properly, so here we go. I'll apologise in advance for making it so long.

I live in the very far western part of Germany, near Düsseldorf, not far away from Cologne, and very close to the Dutch border. In October, I will be 65. My retirement is scheduled for January 2026. Looking at it with mixed emotions at this stage.

My older cousins introduced me to music while I was in elementary school, making me familiar with the Beatles, Hollies, Beach Boys, and similar things. Later on, I moved in the post Woodstock direction altogether. My main influences were Hard Rock (Deep Purple), Blues Rock (Rory Gallaher), Southern Rock (ABB), and Jazz Rock (Al Di Meola). At the age of 11 or so, I started playing the drums, and later on guitar.

I've always been self-taught, occasionally picking up things from others I got in touch with. I'm pretty sure that the kids today don't even appreciate that they can always go to YouTube and learn things from watching videos. All that we had was the radio, the record player, and a book with chord tabs at best. Luckily, I had received a solid introduction to musical theory through our music classes at school, which helped me get my head around the fretboard. My enthusiasm for doing this was extreme during this period, until around when I left school. I definitely wasn't the best player around, there have always been better kids than me, but that didn't matter. All I wanted to do was play, and play I did. I joined a number of school bands, we did a number of gigs, and I also did the singing. We liked to improvise four hours. We had long hair, beards, and truly believed that we were phenomenal after we had some dope. In retrospect, this was the best time in my life.

After I left school, my life changed dramatically in some ways for reasons too many to mention here. As for my career, I've had all kinds of jobs throughout the time, ranging from very theoretical (working as an assistant at the University where I was studying languages and literature) to very practical (working on building sites given my family background where almost every man was a construction worker). I never seemed to be able to settle. I never seemed to be able to make up my mind eventually. I must have relocated like 10 times until I was 40. Playing the guitar slowly disappeared from the radar until it was totally gone when I was in my midtwenties. But I have always kept my old gear, taking it with me and keeping it in the cellar or somewhere for when I will pick it up again, I kept telling myself.

In around 2000, I started a new job, with all the usual scepticism at first, but then it became permanent up until today. I work in an engineering office, specialised on dealing with damages to buildings. My job is doing loss adjusting on behalf of some major insurance companies here in Germany. I have to travel a lot, get in touch with thousands of people a year, with whom I will have to come to terms in the end. All in all it has been a great education in collecting facts, being able to reproduce and present them in a reasonable way, and last but not least dealing with things using common sense and diplomacy.

At about the same time, I found myself a new partner, with all the usual scepticism at first… Long story short, we are still together and happy after all (saying this just because she may be listening). So all in all, I have settled by now.

In July 2021, our cellar was flooded due to extremely heavy rain. I ran down and rescued my amp and my two guitars, one electric and one acoustic. It must have been the first time that I actually touched them in like 15 years or so. I decided to start practising again, but facing all the frustration over all the things that I had lost, and doing this really only in a very half-hearted way, I gave up again very soon.

Now recently, in March or so, I finally decided to go back again and stay with it this time. Maybe thinking that I should really do so before I am 65. You know, a man always needs a reason for doing things, doesn't he. In addition, and maybe as a means to strengthen my motivation, I decided to get myself the Les Paul which I had always dreamt of. Not willing to spend an insane amount of money on it, I decided on an Epiphone. Practising is still very frustrating, and I should definitely increase my practice time, but this is not as easy when you have a full-time day job. However, I seem to make some progress over time, and this keeps me being optimistic.

In preparation, I have probably watched a zillion YouTube videos on guitars and things. I'm a big fan of Rick Beato, and also got his tutorial material, which alone would give me a year's worth of stuff to practice and get my head around. The biggest frustration with it for me this far being the "Ear Training", when I had always considered myself to be reasonably good in discerning things acoustically.

I have also resumed listening to the music of my teenage days, which initially got me started, on YouTube again of course, trying to jam along. If I could make a dream come true, I could play like Dickey Betts or Warren Haynes overnight.

Now, if you have made it this far, you may also be interested in my current gig. I'll attach a photo showing it all. From left to right, we have:

– A 1978 (I believe) Aria Pro II, Stratocaster copy, with two humbuckers, which can be switched to single coil. I got this one in around 1980, and it still plays reasonably well and sounds as it used to. Even though it was hit by the flood.

– In the background, a 1967 (I believe) Vox Virtuoso solid state amp, which I got in around 1974 if I recall correctly, with some really kind support from my mother. My hero back in the day. It is one of the flood victims and I haven't dared to plug it in yet. Planning to take it to a tech, but putting this on the shelf again and again. Anyhow, it would also be just too loud to play today in my apartment.

– In front, a rather new Marshall MG15R, which I decided to make my practice amp in the kitchen where I play. Given the low cost, it's actually terrific, and the headphones output is really excellent, listening through my AKG K240. The neighbours, and my partner, consider the headphones to be the best part of my rig anyhow.

– On top of the Vox amp, a Marshall MS-2. It's portable, runs from a battery and also comes with a headphone jack. It doesn't sound too bad, given its size and specifications. Although it comes across as a gimmick, it would truly be able to annoy the neighbours very badly also.

– And now, last but not least, my beloved November 2023 Epiphone Les Paul Classic IBG in Heritage Cherry Burst. It has the very thin slim taper neck that I want (0.8 inch at the first fret), very long sustain and is flawless from a manufacturing point of view, at least to me. Over time, I have managed to set it up the way that I want it, and as already mentioned, I also gave her a Plek service, which may or may not have improved it, or maybe just by a hair. Best of all, I can hardly take my eyes off her.

Thanks for your interest.

Edit:

I forgot to mention that I also have an old (1975 I believe) Eko 12 string acoustic guitar which I got in combination with the Aria. But it is just too shy to appear in front of a camera and prefers sitting in the cupboard.


View attachment 667
Sweet Les Paul and that Aria brings back memories. Great story too, by the way. My son and I had matching Gol Tops of that model. We sold them though. The only Les Paul I have left is my Epiphone Greeny.

Welcome to the forum, and thank you for sharing so much.
 
Sweet Les Paul and that Aria brings back memories. Great story too, by the way. My son and I had matching Gol Tops of that model. We sold them though. The only Les Paul I have left is my Epiphone Greeny.

Welcome to the forum, and thank you for sharing so much.

Thank you very much.
 
It sounds like you've had quite a fulfilling life so far! Welcome!
I grew up as part of the "YouTube" generation and I can attest to the fact that yes, YouTube has made learning guitar (or anything for that matter) a breeze, it can also be a hindrance in the fact that it sort of doesn't help you sculpt your ear training hardly at all. You have to force yourself to do that on your own. Also, there is an over abundance of guitar "teachers", and they all have their own do's and don'ts and "this is the best way to learn guitar" theories and practices. Ultimately, it all comes down to having fun and picking things up as you go along. Learning songs is a great way to get familiar and learn different techniques and improve your skill all while playing the music you love.

As per your retirement soon, stay occupied as much as possible. Playing guitar is a great thing, but fill your time with other hobbies and activities as well. It can be quite a shock to the system when you retire after working your whole life. I had an uncle that can attest to that.

Beautiful LP! I have a Epi LP Classic as well, though mine is from the Epiphone modern collection. I love the zebra pickups on an LP. There's just something about it that makes it look extra "Rock and roll".
20240820_134713.jpg
 
It sounds like you've had quite a fulfilling life so far! Welcome!

Thank you very much, this is really kind of you. Yes indeed, I've had quite some fulfilment in my life so far, probably enough for two lives.

As per your retirement soon, stay occupied as much as possible. Playing guitar is a great thing, but fill your time with other hobbies and activities as well. It can be quite a shock to the system when you retire after working your whole life. I had an uncle that can attest to that.

If I could stop my treadmill, rat race daily job tomorrow, I certainly wouldn't die of tediousness. I have so many hobbies and interests, and in many different fields, that I would have to become 100 years old to cover all of them. Effectively, my current day job is not just for bread and butter, but I could certainly do without it, given all the hustle it takes to get it done. And the overall stress it involves even keeps increasing.

I'm still on the fence as to what to do exactly once the official retirement starts, and I will have to negotiate things with my employer over the course of next year. At this stage, I would consider some kind of part-time agreement, last but not least also accounting for monetary aspects.

Beautiful LP! I have a Epi LP Classic as well, though mine is from the Epiphone modern collection. I love the zebra pickups on an LP. There's just something about it that makes it look extra "Rock and roll".

Yours is just a beauty, too. In fact, I made a mistake when referring to my Epiphone Les Paul as IBG, while it is actually from the modern collection. Mind you, this is how you can tell that I'm still new to this and not really familiar with the nomenclature yet. I will update my post accordingly.

I think that your Les Paul is a Honeyburst, while mine is a Cherry Sunburst, so basically, we both have the same model except for the finish. The only thing I'm not really sure about in my Les Paul right now being the pickups, which are Alnico Classic Pro Humbucker according to the Epiphone page. I find the neck pickup being way too muddy and dominant, and no amount of reducing its height, even far below the pickup ring, seems to make me really happy with it.

What do you think about the pickups?
 
To all the moderators or administrators around. I need to update my initial post due to a mistaken reference as regards my Epiphone Les Paul. Unfortunately, I have no way of editing my post at this point. Please help.
 
To all the moderators or administrators around. I need to update my initial post due to a mistaken reference as regards my Epiphone Les Paul. Unfortunately, I have no way of editing my post at this point. Please help.
If you look towards the bottom of your post, you should see an "edit" button that you can hit and go back in and edit a post you made. It's no big deal though! IBG or EMC (EPI modern collection), it's all the same :)
Screenshot 2024-08-25 12.27.19 PM.png
As pictured above
 
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Thank you very much, this is really kind of you. Yes indeed, I've had quite some fulfilment in my life so far, probably enough for two lives.



If I could stop my treadmill, rat race daily job tomorrow, I certainly wouldn't die of tediousness. I have so many hobbies and interests, and in many different fields, that I would have to become 100 years old to cover all of them. Effectively, my current day job is not just for bread and butter, but I could certainly do without it, given all the hustle it takes to get it done. And the overall stress it involves even keeps increasing.

I'm still on the fence as to what to do exactly once the official retirement starts, and I will have to negotiate things with my employer over the course of next year. At this stage, I would consider some kind of part-time agreement, last but not least also accounting for monetary aspects.



Yours is just a beauty, too. In fact, I made a mistake when referring to my Epiphone Les Paul as IBG, while it is actually from the modern collection. Mind you, this is how you can tell that I'm still new to this and not really familiar with the nomenclature yet. I will update my post accordingly.

I think that your Les Paul is a Honeyburst, while mine is a Cherry Sunburst, so basically, we both have the same model except for the finish. The only thing I'm not really sure about in my Les Paul right now being the pickups, which are Alnico Classic Pro Humbucker according to the Epiphone page. I find the neck pickup being way too muddy and dominant, and no amount of reducing its height, even far below the pickup ring, seems to make me really happy with it.

What do you think about the pickups?
You are correct, mine is the honeyburst finish! I love the pickups in mine! The neck is chimey yet smooth at the same time and the bridge has enough bite to handle high gain. And the coil splitting sounds wicked too. The pickups in yours might be wired a bit differently? I would advise trying to raise the poll pieces in the neck pickup. Lower the pickup all the way down and then adjust the poll pieces a bit higher.
 
To all the moderators or administrators around. I need to update my initial post due to a mistaken reference as regards my Epiphone Les Paul. Unfortunately, I have no way of editing my post at this point. Please help.
Yours is an IBG. The ones prior had a different headstock. There are IBG Moderns. No need to change anything as you were correct in both counts.

The ones with the Gibson headstocks are Inspired by Gibson Custom.
 
You are correct, mine is the honeyburst finish! I love the pickups in mine! The neck is chimey yet smooth at the same time and the bridge has enough bite to handle high gain. And the coil splitting sounds wicked too. The pickups in yours might be wired a bit differently? I would advise trying to raise the poll pieces in the neck pickup. Lower the pickup all the way down and then adjust the poll pieces a bit higher.

Thanks. I guess we both have the same model except for the finish, and as I also have coil splitting and phase switching I take it that we both have the modern wiring rather than the 50's. I have been through all kinds of articles, videos and forum messages related to setting up pickups as well as adjusting the pole pieces already. And I think I have also already applied all methods available to the neck pickup. To that end, I have just left it the way that comes closest to my expectations. It is just that I would really have wanted to get a little more brightness and acoustic likeness from the neck pickup if you get my drift.
 
Thanks. I guess we both have the same model except for the finish, and as I also have coil splitting and phase switching I take it that we both have the modern wiring rather than the 50's. I have been through all kinds of articles, videos and forum messages related to setting up pickups as well as adjusting the pole pieces already. And I think I have also already applied all methods available to the neck pickup. To that end, I have just left it the way that comes closest to my expectations. It is just that I would really have wanted to get a little more brightness and acoustic likeness from the neck pickup if you get my drift.
Maybe you could try changing the neck pickup to a different brand with different wiring? It might be the only way to achieve what you want. I think somehow yours might have slightly less winding as I have no issue with the neck pickup being dark or muddy sounding. You could swap out both pickups for a set of Gibsons or something equivalent.
 
Yours is an IBG. The ones prior had a different headstock. There are IBG Moderns. No need to change anything as you were correct in both counts.

The ones with the Gibson headstocks are Inspired by Gibson Custom.

Thanks, I guess I figured it out by now. According to the Epiphone website, the modern collection is a subcategory to IBG, and next to IBG there is also the IBGC category, coming at higher pricing. The way the overall nomenclature is being used in different places actually is a little confusing. Therefore, my message wasn't entirely incorrect, although it wasn't overly correct also. For what it is worth, I will make a request under "what would you like to see added" in terms of being able to update one's own messages after the fact.
 
Maybe you could try changing the neck pickup to a different brand with different wiring? It might be the only way to achieve what you want. I think somehow yours might have slightly less winding as I have no issue with the neck pickup being dark or muddy sounding. You could swap out both pickups for a set of Gibsons or something equivalent.

Thanks, I have already looked into it, but question being what particular pickups to replace them with. Getting genuine Gibsons would probably be overkill, no matter how tempting the overall idea would be. Maybe I should make a few recordings and post them for you to listen to and tell me what you think.
 
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