RustyChops
Well-known member
- Joined
- Jul 5, 2024
- Messages
- 124
- Reaction score
- 350
Already put up a pic or two of this warhorse in the Telecaster thread, but it was the best working self-assembled guitar I ever cobbled together from parts, out of a half dozen attempts to get under factory guitar prices:
It started when a great local Santa Cruz, CA player and friend Billy Edgell:
gave me a used ash first series Fender CS reissue Nocaster body. Somebody had covered it in thick ugly orange goop of some kind.
I chemically stripped off the goop, then lightly sanded the body, which I then used some pickled oak stain to lighten, then antiqued with some Ace Hrdwr patio furniture stuff, then shot with Deft lacquer:
The first neck (I wore out) was a used Fernandes Strat neck. When it needed a fret job I bought an aftermarket MIM FMIC neck with a rosewood board (that I never bonded with), before finally ordering a Warmoth Fat neck.
Sounded great with Fender CS Nocaster pickups (slightly “woolier” sound than ‘52 RI pickups).
This guitar then became my main grab for all kinds of local bar type gigs, for about a dozen years of the 46 years I lived in Santa Cruz.
For the occasional orchestra pit type jobs I’d use it, or a Jazzmaster, along with called for banjo, ukulele, etc. whatever the book called for.
It started when a great local Santa Cruz, CA player and friend Billy Edgell:
gave me a used ash first series Fender CS reissue Nocaster body. Somebody had covered it in thick ugly orange goop of some kind.
I chemically stripped off the goop, then lightly sanded the body, which I then used some pickled oak stain to lighten, then antiqued with some Ace Hrdwr patio furniture stuff, then shot with Deft lacquer:
The first neck (I wore out) was a used Fernandes Strat neck. When it needed a fret job I bought an aftermarket MIM FMIC neck with a rosewood board (that I never bonded with), before finally ordering a Warmoth Fat neck.
Sounded great with Fender CS Nocaster pickups (slightly “woolier” sound than ‘52 RI pickups).
This guitar then became my main grab for all kinds of local bar type gigs, for about a dozen years of the 46 years I lived in Santa Cruz.
For the occasional orchestra pit type jobs I’d use it, or a Jazzmaster, along with called for banjo, ukulele, etc. whatever the book called for.