Brian May Replica Maintenance

3bolt79

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Well, I thought I would post this here as I know you guys probably haven’t seen inside of a real one before. If you break a string on one of these during a performance you’re basically screwed, as you have to disassemble the bar and remove the cover to change the string. You would also have to fish out the ball end from the cavity.

I gave her a bit of a face lift as I buffed out the whole guitar, and then applied swirl remover and buffed it out again followed by a hand applied polish. I have not tended to this guitar, other than to change strings in the last 11 or 12 years since I acquired it. It hasn’t needed a truss rod adjustment since the initial setup when I got it.

Here she is before I started last night.

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It had a lot of swirls and scratches from playing it over the last dozen or so years. I’m getting a little wear on the 2nd fret under the G string. You play a lot of A and D chords at the 2nd fret playing Queen songs.

Here’s what she looks like under the hood…

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The two screws below the middle pickup hold the neck onto the front of the body. I snugged them up. There is also a single dime store, 11 mm nut that tightens from the back at the neck heel to a bolt that goes from the backside of the front of the neck, around the area below the end of the fingerboard toward the 21st fret.

The pickups are mounted directly to the body via tiny screws, and there are stacks of brass washers underneath the pickups where the screws go into the wood to act as spacers to adjust the heights of the pickups. I removed one from each side under the neck pickup to try to get the screws a little deeper into the wood, and added a piece of a tooth pick to each hole as the screws had vibrated almost all the way out.

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If you refer to the previous picture, yo will see that the neck actually extends well below the area of the middle pickup. The pickups are actually real Tri Sonics that were made on their original winding machines, using real parts, by a guy in the UK that had bought their old machines and parts after they Burns went out of business.

The guy in the UK is still making pickups, but a couple of years after he was making these pickups with the proper Burns covers, Burns was back in business. As a result of that, he can no longer sell pickups with covers that say Burns Tri-Sonics on them. So now, if you get the real deal pickups, the covers are blank. If I recall correctly, the same guy made the pickups for the run of 50 hand signed Brian May replica guitars made my Andrew Guyton many years ago.

There was a guy that was a member over at Strat Talk that had the only left handed Guyton Replica that was made. Unfortunately he wound up needing to sell it. It was hand signed by Dr./Sir Brian on the headstock. That guitar was around 10K USD when it was released, maybe more as it was the only lefty of the run. Mine was made by John Page and Everett Wood, both former Fender Custom Shop employees.

Wood had a company called Red Special Custom Guitars and they not only made these, but also replicas of the Guild 1984 Brian May models and offered all of his models in custom colors with custom wood options.

My guitar sold for $6500.00 when it was first released new. The only difference between mine, and the other model that he was making at the time is that mine is made of real Mahogany and Ebony instead of Pine block board and White Oak with veneers over the block board.

The potentiometers in the guitar are Soviet era 300 something K Ohms with long plastic shafts with brass collars for the stereo knobs to mount on with Allen key set screws.

Here’s some pics of the guitar with the swirl remover drying on the front and back before the second buffing.

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Below is the tremolo cavity. Yes ladies and gentleman, those are real motorcycle valve springs, from a 58 Norton I believe.

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You adjust the compression of the springs via a hole on either side of the strap button. I use a Fender T-handle truss rod tool for this purpose. It’s the only thing long enough to reach the adjustment at the bottom of the springs from the outside of the body.

And here she is all done.

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I will need to get some tuner buttons from Grover when I get paid next month, as five of the six buttons are cracked all the way through. They are cheap, pearloid plastic.
 
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If you ever get one of these, be ready to do all the work on it yourself as nobody locally or even in your state will have any idea of how to work on it.

If any body does get a proper replica like mine, or a Guyton replica, they really owe it to themselves to buy Brian May’s book about the guitar. It has full schematics, the original blue prints, and the wiring diagrams.

The BMG versions that sell for less than 1K, are mass produced in Korea, and are very similar to a strat with a glued in neck, as far as build. The scale is about a quarter of an inch longer on those.

I’ve had the Burns, BMG, and Guild Brian May Pro versions. Non of them compare to this one.

Gibson is going to start making them soon. Expect Greeny and Jimmy Page model prices.
 
Well after over decades had a buzz. I had to tap one fret down and shift the truss rod. It’s weird. It needs a stubby 6mm Allen key.
 
If any body does get a proper replica like mine, or a Guyton replica, they really owe it to themselves to buy Brian May’s book about the guitar. It has full schematics, the original blue prints, and the wiring diagrams.
Well, Dr. May is eminently qualified to compile such a tome, as he is the designer, builder/luthier (I don't know how he thinks of his journey so I'll cover my bases) of the original, and...
his PhD dissertation demonstrates a mastery in the accurate representation of how things are...

That is,
he knows how to write and he knows what he's talk'n about.
 
Yeah, Dr/Sir/Guitar God Brian May is a gift to humanity in so many ways. Animal rights activist too. And yet he presents as just a quiet, normal guy. I love that about him. The man’s music has saved my life many times. His whole band were geniuses.

Kid’s in high school used to tease me because I loved all era’s of Queen music. They didn’t know about my love for Roy Clark and Charlie Pride or Bowie. I would have caught shit for that as well. Al Di Meola and Alan Holdworth? Pat Metheney? Well, I just liked good music, or at least music that didn’t suck. Queen was always my number 1 though. My dad even accused me of being a “homo”for liking them once. I loved the music, and especially May’s sound and guitar orchestrations. Who anybody that I loved musically preferred to sleep with never entered into my mind.

After I had my guitar for 6 months, I was ripping the solo to Clapton’s Forever Man playing with the record. Stupid easy. My Dad heard and opened my door. “Was that you”, he asked I said yeah. I backed ot up and did it again so he could see me do it. “Damn, you’re gonna need a better guitar” he said. And a few months later he got me an 82 Fender Strat and a Dual Showman Reverb amp for Christmas.

My Dad was really impressed with Clapton, and listened to him a lot, but never accused me of being a drug addict. If I played Duane Eddy, my Dad was impressed. But he just couldn’t get the fast, electric version of We Will Rock You, or It’s Late. That kind of music just didn’t take him to the same places and astral planes in his mind that it did me.

My Dad came over to my house a few years ago, during the Pandemic, and wanted to hear me play some guitar. I played some simple Deep Purple and Cream for him. He was impressed then I played him this, my little composition with dual delay. All original, but inspired by May….


He just didn’t understand.
 
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