I can be an animal in the shop. I use a dremel cutting disc to slice through the solder.
You can melt the solder and suck it away with the de-solder tool.
Or use the solder wick.
I can see that. Certainly the feel. I did chase the radius for years. Then I asked myself ‘why am I raising the middle saddles?’ I like low action.
Regardless. Mine follow more of a gentle slope from low E to high e. Once the low E stops buzzing, I just match the consecutive saddles...
Moderate.
But for me speed is a challenge. Thunderstruck, for example. I use it as a warm up exercise, but I never quite get that speed. And then hitting the power chords cleanly after the speed riff? Well, that rarely happens.
This Sheraton ll is the only one I should have kept. A truly resonant and well playing 335 type.
This Ibanez sounded excellent when plug in. Acousticly it was a bit of a dud.
It’s crossed my mind. And I do think they could be complimenting to each other.
I’ve been having so much fun getting to know this Super. I haven’t shifted the room about just yet.
Let’s see ol’ Kokopelli get past this.
And someone’s note is retapped to the top.
Since I got this Super, my Marshal has been reduced to duty as a shelf.